There is a show called “Anna Kendrick Takes a Sex Doll on a Trailer Trip” hosted by director Anna Kendrick. The story is about a female protagonist who becomes involved with a sex doll. A therapist tells Anna Kendrick that she needs to embrace a sex doll to heal herself. She and her new friend then embark on a journey filled with intimacy, dance, relaxation and personal breakthroughs. The program touches on the growing tendency to accompany sex dolls that are made of silicone and TPE materials and have realistic images. We call them sex dolls because they are clearly built in the ideal image.

This is just the latest in a series of bizarre marriages that have recently taken place for many people. For example, editors have reported on a Japanese man who married sex robot icon Hatsune Miku; Spanish artificial intelligence expert Sergi Santos, who married a robot of his own creation; and a South Korean man who married a pillow emblazoned with anime characters.

Smart feminist sex dolls seem to be becoming an increasingly popular trend. In recent years, we have companies specializing in the production of such smart feminist sex dolls and have begun to enter the domestic and international markets, such as BestRealDoll, WMDOLL, DSDOLL, and others.

Some people refer to these tendencies as “humanoid fetishism” or “technophilia”. According to the Encyclopedia, this obsession stems from a fascination with dolls or adult dress-up custom sex doll. We can publicize some of the popular images on the Internet. Such anthropomorphic images can be found in anime and music videos.

But what does it mean when most people describe this fetish from a male perspective? Why are women so often depicted as robots? And what does this reveal about our culture, gender, and sexuality? And finally, how are these technological advances changing human behavior?

Despite claims to the contrary, people react to sex dolls as an instinctive response to unusual, idealized, and bizarre objects, much like insects react to various heat and light sources. However, the editors believe that fetishism may be due to a person's controlling and passive nature towards their partner, although this is not the case for all people, as many feel lonely or are tired of searching for a partner.

However, men seem to be the main consumers of perceived feminist lovedolls. What does this reveal about gender, power and culture? Some may argue that this overwhelming bias stems from male power, or that men are tired of female rejection and turn to sex dolls. Watching the interviews with sex doll owners in the BBC documentary may shed some light on this.

The men in the movie, ranging from sociopathic loners to jilted lovers, all seem to suffer from psychological problems due to feelings of alienation and an inability to fulfill the expectations of the other half of society. Some of them had partners when they were young but then broke up and became closed off from the opposite sex. Others are controlling and choose sensible feminist sex dolls because they don't want to challenge themselves.

Finally, I must regret the Cyborg Manifesto regarding the possibility of liberation. Rather than seeing the union of man and machine as liberating us from various forms of oppression (gender, race, age, etc.), we see the sex-centrism in artificial fetishes as short-term, exploitative sexuality that reinforces existing gender oppression, i.e., these tendencies reinforce the objectification of women, patriarchy, and male control of behavior.

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