In an era when digital storytelling has become the lifeblood of media, one name stands tall among South Asia’s innovators—Sk Monoar Nahid. With over 17 years of experience in broadcast graphics, motion design, and visual storytelling, Nahid has released a groundbreaking book titled Creatives in the Television Broadcast Industry. This book is more than a technical manual; it is a deep dive into the creative psyche of those who shape what we see on our screens. For students, industry professionals, and media enthusiasts alike, the book serves as both a guide and a mirror, reflecting the evolution of the television industry through the lens of design and innovation.

Sk Monoar Nahid, known for pioneering real-time graphics and virtual set design in Bangladesh, brings an authentic, insider perspective to this book. What makes Creatives in the Television Broadcast Industry especially compelling is that it doesn’t merely catalog tools and software—it humanizes the role of the broadcast designer. Readers are taken behind the scenes into television control rooms, graphics suites, and late-night brainstorming sessions, discovering how creativity collides with technology in the race to keep viewers engaged in a hyper-competitive media world.

The book begins by exploring the untold stories of broadcast creatives—those unsung heroes who work behind the camera to build digital sets, design lower-thirds, animate transitions, and craft visual metaphors for the news, entertainment, and reality shows we consume every day. Through real-life examples from Nahid’s own career, including his time at Channel 24, RTV, Independent TV, and beyond, readers learn how visual storytelling has transformed from static slides to interactive, data-driven, augmented-reality experiences. With clarity and wit, Nahid outlines how trends like automation, AI, and cloud integration are reshaping the creative broadcast workflow.

One of the most insightful aspects of the book is its discussion of regional innovation. Nahid proudly highlights South Asia’s contribution to the global broadcast industry, offering inspiration to young designers in Bangladesh and neighboring countries. He outlines the challenges creatives face in underfunded media environments and how they often must innovate not just by skill but by necessity. His writing champions the idea that great storytelling doesn’t need a big budget—it needs vision, adaptability, and a relentless desire to elevate the audience experience.

Whether it’s the technical walk-through of a Vizrt module, the emotional narrative of a tight-deadline news event, or the philosophical musings on the future of TV, Creatives in the Television Broadcast Industry offers a balanced and engaging read. Nahid writes with a voice that is at once authoritative and approachable, blending instruction with inspiration. For anyone involved in television production, this book will feel like both a masterclass and a memoir.

In a media landscape flooded with content, the creative forces who shape the visual grammar of broadcast often remain unseen. This book shines a light on them—on the passion, precision, and purpose that define their work. Creatives in the Television Broadcast Industry is not just a book; it is a declaration that broadcast design is art, and its practitioners are artists who deserve both recognition and respect.